In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous.

Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.

Acting is a way of living out one's insanity.

Yes, it happens very often that someone comes and gives you something, ... But not so many good ones, which makes it easier.

Perhaps Europeans are a bit more skeptic whereas Americans are more believers.

But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.