In early to mid-20th century plays, characters speak in complete sentences and develop thought through complex clauses. It's complete idea.

This is the hardest language I've ever had to approach. I'm not sure I can articulate why — it just is. How it's set out on the page, how she wants or imagines the punctuation to work or not work. Its fragmentary nature and its lack of exposition, (the audience) is going to have to work very hard to fill in their notion of a structure, of how these events that are being referred to can of happened. Did they happen? What do they mean?

It's moved out there. It is not communication from stage to audience in that (traditional) way.

People take pictures of the Summer, Just in case someone thought they had missed it, And to proved that it really existed

First time I tried to 'egg beater,' I thought I'd drown. I was always bored with swimming. It was never my passion. Anything would be better than looking at the bottom of the pool for two hours every day.

We don't have any concrete fundamentals to give the market direction, ... I thought that the war being over would translate into corporate IT purchasing, but that hasn't happened.