In England, everyone believes if you think, then you don't feel. But all my novels are about joining together thinking and feeling.

I think literary theory has not been terribly good for English studies in a while. It's not that theory isn't interesting, but it isn't about books, or the idiosyncrasies and complexities of putting language together.

I think my characters with my fingers, I think my characters with my guts. But when I say I think them, that is what I do, I feel them with the sympathetic neurons and I work out with my brain what it is that I am trying to write about, or I can't do it.

I always say I write my own novels and the characters don't take control of me, but in fact, I look at the characters in the early stages and I think, 'What is he or she like,' and they slowly come together and they become the person they are.

In novels in general - and also on the television - we do live in a world where bodies is what we are. We do not talk about the spirit or the soul, and there is a sense that we no longer talk about beliefs, either Freudian or Marxist.

The more research you do, the more at ease you are in the world you're writing about. It doesn't encumber you, it makes you free.