In feature films, unless there was a body count, they weren't hiring me to direct it.

Music is the subliminal connecting adhesive in film, or at least in narrative feature films.

My sexiest feature is my body.

I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.

Having been subjected to the pigeonholing of Hollywood myself, I realized that once you become a studio-approved director, your chances of ever making your own film again are zero. You make the films that the studio wants you to make.

I would love to direct a feature and have Robert Connolly produce it. That would be really fab.