In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.

The music of the most popular operas is so highly esteemed, it can stand endless revivals.

Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances.

Pink Floyd is like a marriage that's on a permanent trial separation.

I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.

Antonio is very focused, very well-prepared, he has thought about it a lot, read about it a lot. And he is a very agreeable sort of guy to work with.