[In New York, still charmed by Post-Impressionism and puzzled by Cubism, Duchamp and others took on the art establishment as a way of holding up a mirror to modern society.] Cher Tzara, ... Dada cannot live in New York. All New York is dada, and will not tolerate a rival.

At its core, this is an event designed to celebrate an art form born from the streets of New York over two decades ago as a means of creative self expression, allowing the public a unique chance to experience the workmanship and skill that go into creating a piece of art fine enough to hang on the walls of any traditional gallery or museum,

Being from New York City and New Jersey, I like the experience here. Seeing the mountains and the cactus.

New York is what Paris was in the twenties. . . the center of the art world. And we want to be in the center. It's the greatest place on earth. . . I've got a lot of friends here and I even brought my own cash.

I would be surprised if there wasn't a registered traveler project up at one or all of the [New York] airports by September.

The core of where I've been and what I'm all about is from New York.