In the '90s, it was cool to just like R&B. But I liked Nirvana and stuff, too.

Music, even if I ended up doing something different or do end up doing something different in the long run, it's just something that is life blood. If I'm not participating in some way, I feel like I'm wasting my time.

I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music, so we'll see. It could be cool, or it could totally flop.

I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't feel comfortable being a soloist. It was a cool, safe space for me musically.

There's a real existential anxiety at having to exist not just in a generalised social framework, but a capitalist social framework.

I spent a long part of my childhood repressing my more animalistic desire systems, and in a way, it permits me to do some of the stuff that I would want to be doing in a way that's more comfortable and doesn't break my internal rules. It expands the realm of possibility.