It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political.

You would go mad if you began to speculate about the impact your novel might have while you were still writing it.

Contemporary Britain seems an endlessly fascinating place to me - but if I knew a little bit more about other places, and other times, maybe it wouldn't.

It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.

They were written in the early '90s when I was strapped for cash.

The biggest markets for my books outside the UK are France and Italy, and those are the two countries where I also have the closest personal relationships with my translators - I don't know whether that's a coincidence, or if there's something to be learned from it.