It was right after I did Piaf, 'La Vie en Rose'. I started to take singing lessons and finding where I could go.

When you start a scene, and you don't really know where you're going to go, that's a roller-coaster.

I took piano lessons when I was like 5 or 6 but that was a long time ago. I stopped when I was 13.

It's pretty refreshing to be in a situation where the spotlight is on someone else.

I've always had a repulsion going in a place where animals are in captivity.

I've worked with people who wanted to be creative every day: it was like a goal to arrive with something very special. Sometimes it's just disturbing, because special is good when it's needed. But when it's not needed, it's confusing, and you go away from the authenticity by a strong desire to be unique and singular.