It's necessary to start most work alone. But I'm tickled to death when I can pull somebody in or join someone, whether it's borrowing poetry or traveling with an associate.

It can be kind of gruesome at times, making things alone.

I'd been doing projects outdoors for the public. I made pigeons eat geometry by putting bread out in rhomboids and triangles. I don't know if this activity made sense, but the work was available.

I think of a piece, and then people who are competent fabricate it. But lately I've started finger painting, which probably should be a joke but isn't!

I wanted to support things that are helpful to people and maybe bash what I think is dangerous. So I switched from being everybody to being myself.

Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.