Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.

I sing the songs that people need to hear.

It's not about battling the original artists when I record these songs, it's about paying tribute to them.

Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.

When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know?

When I sing for myself, I probably sing for anyone who has any kind of hurt, any kind of bad feelings, good feelings, ups and downs, highs and lows, that kind of thing.