Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.

In 10 different takes, you can do a scene 10 different ways.

Truth can be stated in a thousand different ways, yet each one can be true.

I'll reshoot a corridor 13 different ways, and you'll never recognise them.

I get inspired at different times and in different ways.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.