My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.

From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.

The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party.

Every film is a puzzle really, from an editorial point of view.

My point of view has always been a bit more offbeat.

Nothing's beautiful from every point of view.