My inspiration has always been photography's ability to stop time and reveal what the naked eye cannot see.

My interest in photography is not to capture an image I see or even have in my mind, but to explore the potential of moments I can only begin to imagine.

I shoot just one moment at a time... These moments are beneath the threshold of perception.

The pinpoints of starlight we see with the naked eye are photons that have been streaming toward us for a few years or a few thousand.

The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.

My photography is often a sociological look at American culture, and it's been very well published in the U.K.