My job as an editor is to gently prod the attention of the audience to look at various parts of the frame. And that - I do that by manipulating how and where I cut and what succession of images I work with.

One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.

I believe every editor should stand to edit. That's just my particular soapbox. Some things are so delicate and depend on such fine, delicate work. One frame in one direction or another can make such a difference and it is, in that, like brain surgery.

He could prod you gently or kick you in the ass,

Sound is a huge influence on peoples' attention.

Of course I feel guilty about manipulating the audience, playing on their preconceptions in that way, ... But that's my job.