My siblings and I had this theory that my parents were spies.

Sibling relationships figure in a lot of my books. You don't often see relationships between adult siblings explored in fiction.

I think all parents have a double life.

I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.

Spies and parents never sleep.

I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.