My technique has always been to include all the periphery around me.

I always treat each take as a rehearsal for the next take. That way you can find stuff and keep adding and playing until they tell me to stop.

Music has always been around with me.

Subliminally, I had always wanted to act. Although I had only performed in a couple of plays, I was serious about it and was subsequently trained by people like Lee Strasberg and Elia Kazan.

I love to see lack of clarity in a performance as well as clarity, as well as trust, as well as the kinds of things that human beings go through. I love to see spontaneity and 'inevitability.' How it gets there is going to shock the hell out of me, but it will get there somehow.

I've always danced. I've always been around it.