My tips for any budding actors would be to go out and see as much as you possibly can. Find the people you want to work with and be ready to hopefully make them want to work with you.

When you are playing somebody who did exist, and there is good source material on them, whether it is a biography or archives or experts, you would be stupid not to delve into them. But there is a point in the process where you leave the books alone, and instead, you focus on the script and creating your version.

The way the tour has developed has been as good an example of that as you would like to see.

You're filmed that one very special day of the pageant, and you want to make sure you're as ready to go as you can be.

I want to reduce my risks as much as possible and hopefully be able to go to the World Cup fit, ready and healthy.

I like revisiting my early work, and people like to hear it. I don't make people suffer through any experimentation or new material. When I go see an artist, I want to hear the songs that drew me to them, so I do the same.