Natural history is not about producing fables.

The process of making natural history films is to try to prevent the animal knowing you are there, so you get glimpses of a non-human world, and that is a transporting thing.

In the old days... it was a basic, cardinal fact that producers didn't have opinions. When I was producing natural history programmes, I didn't use them as vehicles for my own opinion. They were factual programmes.

You can only get really unpopular decisions through if the electorate is convinced of the value of the environment. That's what natural history programmes should be for.

Cameramen are among the most extraordinarily able and competent people I know. They have to have an insight into natural history that gives them a sixth sense of what the creature is going to do, so they can be ready to follow.

Being in touch with the natural world is crucial.