No one can be an artist without a rich inner life.

I have quite a rich inner life, and I'm constantly looking for a way to express that. I haven't found it yet in acting. When you're playing a character, you're only going to find outlets for very specific parts of your inner world.

How much she wanted it - that people should look pleased as she came in, Clarissa thought and turned and walked back towards Bond Street, annoyed, because it was silly to have other reasons for doing things. Much rather would she have been one of those people like Richard who did things for themselves, whereas, she thought, waiting to cross, half the time she did things not simply, not for themselves; but to make people think this or that; perfect idiocy she knew (and now the policeman held up his hand) for no one was ever for a second taken in.

I've often thought that one of us is what we imagine, that each of us normalizes the terrible strangeness of inner life with a variety of convenient fictions.

You have to rely on whatever sparks you have inside.

If poetry and the arts do anything, they can fortify your inner life, your inwardness.