No rendering can really simulate the way the light bounces off the bronze panel. From some angles, it's almost a mirror, and from others it's a matte surface.

Bronze in the mirror of the form, wine of the mind.

When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it's a leap of faith that I didn't want to make initially - to put it mildly.

Any time you do opposing camera angles, there's gonna be some compromise in the lighting.

I've a full-length triple-panel mirror in which I can see every possible angle, and I spend quite a lot of time in front of it.

For two years nobody talked about anything other than the name arrangement. There was no fund-raising and no progress being made on construction and design.