Nobody would let us do 'Crisis' again.

I kind of liked the idea of filming musicians. I could like a musician and know, at the same time, maybe nobody else maybe liked them much or appreciated them.

Two of my sons are themselves filmmakers, and we can't afford them nor they us. They work in the real world and earn money and are pretty good at it.

Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.

I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these people in a place where they would be inviolate. It wasn't enough to have a still life of them. I wanted to surround them with the lives they led.

The closing of Good Hope's emergency room and its inpatient psychiatric unit presented us with a real crisis.