Nothing is as tedious as the limping days,
When snowdrifts yearly cover all the ways,
And ennui, sour fruit of incurious gloom,
Assumes control of fate’s immortal loom

I love to watch the fine mist of the night come on,
The windows and the stars illumined, one by one,
The rivers of dark smoke pour upward lazily,
And the moon rise and turn them silver. I shall see
The springs, the summers, and the autumns slowly pass;
And when old Winter puts his blank face to the glass,
I shall close all my shutters, pull the curtains tight,
And build me stately palaces by candlelight.

Every winter, When the great sun has turned his face away, The earth goes down into a vale of grief, And fasts, and weeps, and shrouds herself in sables, Leaving her wedding-garlands to decay-- Then leaps in spring to his returning kisses.

Life is and is not a gentle bore.

Up rose the wild old winter-king, And shook his beard of snow; "I hear the first young hard-bell ring, 'Tis time for me to go! Northward o'er the icy rocks, Northward o'er the sea, My daughter comes with sunny locks: This land's too warm for me!"

Modernity signifies the transitory, the fugitive, the contingent, the half of art of which the other half is the eternal and the immutable.