People who play conventional music are threatened by electronica and don't consider it to be as valuable as what they do.

Engineering producers who don't play and have technology as a background may be the reason why there's a lot of cold non-musical music, for lack of a better description.

Computers and electronic music are not the opposite of the warm human music. It's exactly the same.

Records are just moments of achievement. They're like receipts for work done. Time goes on and people keep playing music.

I think everything's experimental whether you like it or not. I think that people who do generic pop are experimenting with cliches. It's no less than I am experimenting with noise or unknown music - until you say, 'This is my song, or this is my composition' - it's all experimental, whether you like it or not.

I've never used ethnic music as decoration for profit.