Photography, painting or poetry - those are just extensions of me, how I perceive things; they are my way of communicating.

In a movie, you're raw material, just a hue of some color and the director makes the painting.'

I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.

In a movie, you're raw material, just a hue of some color and the director makes the painting.

It's just like with people. You're going to get along better working with them - human or equine - if you ask politely rather than demand that they do things.

I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.