Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.

Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.

I'm very into the first production of the show.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

I think more from my heart. My brains don't work as much.

My fault now is making my plays too short.