Proust, more perspicaciously than any other writer, reminds us that the 'walks' of childhood form the raw material of our intelligence.

Most kids don't give a hoot in hell for brains; they go a penny a pound, and the kid with the high I.Q. who can't play baseball or at least come in third in the local circle jerk is everybody's fifth wheel.

If this were so; if the desert were 'home'; if our instincts were forged in the desert; to survive the rigours of the desert - then it is easier to understand why greener pastures pall on us; why possessions exhaust us, and why Pascal's imaginary man found his comfortable lodgings a prison.

I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered.

The history of Buenos Aires is written in its telephone directory. Pompey Romanov, Emilio Rommel, Crespina D. Z. de Rose, Ladislao Radziwil, and Elizabeta Marta Callman de Rothschild - five names taken at random from among the R's - told a story of exile, desolation, disillusion, and anxiety behind lace curtains.

A journey is a fragment of Hell.