Shakespeare is to me the purest voice of nature, and he does no meddle with nature. His plays provide us with the greatest variety of erotic expression, and with Shakespeare eros is the proper term to use.

But nowhere is this a more urgent task than in matters of eros, the first and best hope of human connectedness in a world where all connectedness has become problematic

I suggest that we need a generation or two not of theory but of an attempt to discover the real phenomena of eros.

Love is a great spirit. Everything spiritual is in between god and mortal.

Shakespeare is universal.

Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.