Since each person, as an individual, is the not-being of the other, it is never possible to eliminate non-understanding completely.

For when it is the good that is under consideration, and the ethical object is predominant, truth must be considered more in reference to art than science, if, that is, unity is to be preserved in the work generally.

Now the relation which, in the sphere of nature, being and semblance or sensation bear to one another in this antithesis, is the same as that which in ethics exists between good and pleasure or feeling.

Belief must be something different from a mixture of opinions about God and the world, and of precepts for one life or for two. Piety cannot be an instinct craving for a mess of metaphysical and ethical crumbs.

And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.

I do not know what the spirit of a philosopher could more wish to be than a good dancer. For the dance is his ideal, also his fine art, finally also the only kind of piety he knows, his 'divine service.'