So if too many people like my films, I might get scared and think I did something wrong. Honestly.

[Murray] never pushes anything. ... The smallest reactions are so expressive and complete. People are saying Murray has gone into this other mode -- 'He's looking for this other part of himself.' I think he's been looking for that all along.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.

I always think the Sex Pistols and the Ramones as very, very important because they stripped things down.

I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.