Some of the writers I've praised are Sara Paretsky, Val McDermid, Elisabeth George and Minette Walters. Strangely enough, almost all are women.

History is reticent about women who were common soldiers, who bore arms, belonged to regiments, and took part in battles on the same terms as men, though hardly a war has been waged without women soldiers in the ranks.

I'm exhausted almost all the time.

Every year Swedish society produces a new generation of threatened women who can testify to the lack of legal rights and the lukewarm interest shown by the police and other authorities.

In many respects I have gone out of my way to avoid the usual approach adopted in crime novels. I have used some techniques that are normally outlawed - the presentation of Mikael Blomkvist, for instance, is based exclusively on the personal case study made by Lisbeth Salander.

I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.