Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.

I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.

It's a once-in-a-lifetime event for all of us, something like this.

Ever since the movie premiered at Cannes, I've had a sudden surge of scripts and interest.

I fell in love with Crawford because when she was twenty or twenty five, she would dance and talk and sing and do the things that Peppy's character needs to do.