The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.

According to Jewish legend, only the very wisest and very holiest rabbis had the power to make golems, animated servants of clay. Strictly speaking, the golem is not in the same class with Frankenstein's monster, because the golem is neither alive nor dead. He is, rather, the ancestor of all robots.

In 1921, Harry Houdini started his own film company called - wait for it - the Houdini Picture Corporation.

Back when the concept of organ transplants qualified as science fiction, novelist Maurice Renard wrote a thriller called 'Les Mains d'Orlac.' Call it a bastard offspring of 'Frankenstein;' its plot revolved around the old theme of Science Giving Us Stuff We Shouldn't Have - in this particular case, restoring severed body parts.

For those of you who thought F. W. Murnau's 'Nosferatu' was his greatest film, I have news for you: his 'Faust' blows it out of the water.

For all its flaws, 'The Hands of Orlac' really is a seminal film, and if you're partial to that particular B-movie subgenre of Demon Body Parts, you really ought to see it.