The fatal problem with poetry: poems.

All I ask the haters--and I, too, am one--is that they strive to perfect their contempt, even consider bringing it to bear on poems, where it will be deepened, not dispelled, and where, by creating a place for possibility and present absences (like unheard melodies), it might come to resemble love.

Poetry arises from the desire to get beyond the finite and the historical—the human world of violence and difference—and to reach the transcendent or divine. You're moved to write a poem, you feel called upon to sing, because of that transcendent impulse. But as soon as you move from that impulse to the actual poem, the song of the infinite is compromised by the finitude of its terms.

I wanted to write some words you'd remember.

Words so alert they'd leap from the paper,
crawl up your shoulder, lie by your ears,
and purr themselves to you like baby kittens,
but it was rainy, so I laid there and daydreamed about you.

To see the Summer Sky/ Is Poetry, though never in a Book it lie --/ True Poems flee --

Was not writing poetry a secret transaction, a voice answering a voice?