The hardest part is, it didn't have to be this way. If people had evacuated -- of course, where are they going to evacuate to? But other people did evacuate. Everybody that died here was needless. It's just the senselessness of it all.

I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.

He's low on the velocity side. We just didn't do a good job getting through balls and making solid contact with line drives and ground balls. Guys like that who throw slow ... your swing gets long and you get under it.

Analog has been around longer, so the networks are much more built out.

We didn't capitalize on our opportunities. A lot of their stuff was just off-speed. They weren't overpowering. They just kept us off balance.

It's like a novelist writing far out things. If it makes a point and makes sense, then people like to read that. But if it's off in left field and goes over the edge, you lose it. The same with musical talent, I think.