The long poem cannot be a digressive, expansive, boring exposition. It is really made of very sharp, Imagistic, quintessential poetic elements.

In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.

There are so many things to say; so many things that can't really be said.
So much has happened; so little has changed.
We have so many words prepared; so many words are too hard to actually say.
A few days have passed; this pain has been here for years.
We don't know where to go from here; our future has always been in our minds.
Moments of peace with those who constantly argue; fights with those that usually bring peace.
There are so many things to say; so many things that can't really be said.

The philistine provides the best definition of art. Anything that makes him rage is first class.

Art is anything people do with distinction.

What is forgiven is usually well remembered.