The multiplicity of ideas is what I'm interested in.

We're producing spaces that accommodate human activity. And what I'm interested in is not the styling of that, but the relationship of that as it enhances that activity. And that directly connects to ideas of city-making.

Look around at day-to-day life for ideas, and it finds its way into your work.

The huge problem in our society is the enormous ignorance of the ideas that underlie modern art.

So we can't go backwards, we can only go where the evolutionary trajectory is taking us and attune our ideas about ourselves and our existence to that course.

I've always been interested in an architecture of resistance - architecture that has some power over the way we live. Working under adversarial conditions could be seen as a plus because you're offering alternatives. Still, there are situations that make you ask the questions: 'Do I want to be a part of this?'