The odd thing about 'Cripple of Inishmaan' is it's never actually been performed on the island.

I still get called 'a stick of dynamite' or 'pint-sized dynamo,' stuff like that. Actually, I was too busy to notice there was anything unusual about being a woman director until the early 1980s, when I looked around the professional theater and realized there weren't many of us. You have to make more of a case for yourself than any man.

I think I'm attracted to writers who tell us something about ourselves.

I remember thinking, 'I can't act.' Pretending to be someone else is a terrifying thought. The thing was that, along with other people, I could create a whole world. I felt absolutely right directing.

As far as Irish writers being great, I think the fact that there have been two languages in Ireland for a very long time; there has obviously been a shared energy between those two languages.

There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.