The way I put together images is a reactive art.

Movies become art after editing. Instead of just reproducing reality, they juxtapose images of it. That implies expression; that's art.

Irony became the head that bit its tail and then there is no way out.

I think the most experimental way to a film is to tell the story the traditional way, because everyone is doing the other thing.

To shoot a conventional film means that you are always covering yourself. You are putting nets and, in a way, letting bad decisions take over.

Really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.