Theatre critics have no special access to the truth. And there should be no objective truth to art.

I'm excited about the idea of an act of theatre triggering a parallel creative act of writing.

Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you start applying large sums of money to art objects. That's where it all starts to get a bit sticky.

'The Author' is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.

Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end.

All critics should be assassinated.