There are two kinds of success. One is musical or artistic and the other is commercial.

I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.

The mathematics of rhythm are universal. They don't belong to any particular culture.

I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.

In my opinion, there is one singular problem with religions in general: they are exclusive. To me, this exclusivity is not right.

I've been studying the cultures of Asia for many years, and I'm very attracted to the culture of Japan, in particular to the impact Zen has had on the Japanese mind and spirit.