There is a sort of elation about sunlight on the upper part of a house.

What I wanted to do was to paint sunlight on the side of a house.

Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.

I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.

There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions.

If you could say it in words there would be no reason to paint.