There's an image that some of us have of Jackie Onassis, stepping out in the rain, and Maurice Tempelsman is holding her umbrella. We want that man. We want the man to be the concierge and the masseur and the travel booker.

Some of us stay married because we're in competition with our divorcing 1960s and 1970s parents, who made such a hash of it. What looks appealing to us now, in an increasingly frenetic, digital world, is the 1950s marriage.

When husbands and wives not only co-work but try to co-homemake, as post-feminist and well-intentioned as it is, out goes the clear delineation of spheres, out goes the calm of unquestioned authority, and of course, out goes the gratitude.

Yes, I was one of the slightly vintage women who let out a shriek when we saw it at Costco: 'The Nancy Drew Mystery Stories', a complete boxed set, fifty-six familiar yellow spines, shrink-wrapped.

Whether you wish to chant 'Our houses, our selves' or 'We have houses, hear us roar,' for us women, home is where the heart is.

In the end, we all want a wife. But the home has become increasingly invaded by the ethos of work, work, work, with twin sets of external clocks imposed on a household's natural rhythms.