There's something quite joyful about doing comedy which doesn't really need much analysis. I'm not elitist. I like to do crowd-pleasing stuff which is a bit smart, but is just about belly laughs.

If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.

I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy. Making people laugh one moment and the next making them feel really uncomfortable.

I'm a bit of a like girly-girl, really, I like flowery stuff.

When you tour you become more intimate with your audience. It's like I need reassurance that they like me or at least find me relevant. And that I can still do it.

I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy.