They're narrative films, but there's also something very experimental in the way that the narrative works. You sometimes watch one of these films and in the end you're like, what just happened? That was really funny, but I have no idea what just happened in the plot. I like that.

You watch that team, and he's a dynamic player. He's great one-on-one. The thing that jumps out is how hard he works to score goals.

I want the world to bleed when it brushes up against me.

There's always a moment when you start to fall out of love, whether it's with a person or an idea or a cause, even if it's one you only narrate to yourself years after the event: a tiny thing, a wrong word, a false note, which means that things can never be quite the same again.

I'm just here to watch, to see who's playing with who and how it works -- how they interact, was it good, was it bad and if they would want to do it again.

That's one of the things the Tempts have always been, experimental. We decided ... to sit down and come up with using some great songs from the famous Motown catalog and put our spin on some iconic kind of songs that have turned out to be such monster standards in their own right.