This CGI bullshit is the death knell of cinema. If I'd wanted all that computer game bullshit, I'd have stuck my dick in a Nintendo.

His movie is called 'Planet Terror,' and mine is called 'Death Proof,' ... Mine is sort of a slasher film, but instead of a knife, it's a car. ... His, he's dealing with zombies and all that stuff. I think his might end up being more violent, but I'm not finished with my [script] yet, so you never know.

I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.

It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere.

When I make a film, I am hoping to reinvent the genre a little bit. I just do it my way. I make my own little Quentin versions of them... I consider myself a student of cinema. It's almost like I am going for my professorship in cinema, and the day I die is the day I graduate. It is a lifelong study.

I'm not a Hollywood basher because enough good movies come out of the Hollywood system every year to justify its existence, without any apologies.