This synchronous action then will be the Subject, which is the representative harmony.

Simultaneity in light is harmony, the rhythm of colors which creates the Vision of Man.

The eye is the most refined of our senses, the one which communicates most directly with our mind, our consciousness.

In this movement of colors I find the essence, which does not arise from a system, or an a priori theory.

On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.

This communication alone, by the comparison of the antagonisms, rivalries, movements which give birth to decisive moments, permits the evolution of the soul, whereby a man realizes himself on earth. It is impossible to be concerned with anything else in art.