To contemplate is to look at shadows.

To think of shadows is a serious thing.

Poems are not read: they are reread. Reread the poem, then read between the lines, then look at it, then watch it, then peek at it: handle it like an object. Contemplate its shadows, angles and dimensions.

In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English.

The omnipotence of evil has never resulted in anything but fruitless efforts. Our thoughts always escape from whoever tries to smother them.

Forty is the old age of youth; fifty the youth of old age.