We are all affected by the time we are born into, and of course that feeds into your work. Society is based on storytelling - religious myths, opera, film - and 1968 was always seen as a time of rupture and fragmentation. I have always been interested in those words.

I will use the words 'unjust enrichment' for someone to work 400 hours a year and get full-time health benefits.

I have always just made things. I don't see what I make as being defined by a medium or aesthetic. It probably comes more from a fundamental restlessness, an attempt to create tools for questioning or understanding, and I have always been interested in using a wide spectrum of mediums to do this.

Being able to go to Columbus for a third time in four years - I can't put in words.

The 'Station to Station' film has been fascinating to create. It feels as though it made itself in a way, and after awhile, the film told us what it needed and began to sculpt itself.

I also wanted t do a film with a religious motif, a film about miracles. At the same time, I wanted to do a completely naturalistic film.