We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do.

Once you have the pattern of life of this person, the choreography, so to speak, you have the canvas that you present eight times a week, not without feeling underneath it, but it's not as churning as the discovery process was.

A relationship can give you a gut wrenching feeling sometimes. It's a real emotional ride.

If I don't cry while writing a key emotional scene, my gut feeling is it's failed.

The story about me, apocryphal or not, is that I could sing before I spoke. My parents went into bedroom one day and there I was standing in the crib singing God Bless America.

My mother gave me singing lessons; that was totally painful, because I couldn't do what she wanted to hear. She used to say: there's more there, there's more voice but I just didn't want to give it to her.